THE NECK OF THE GIRAFE 2016
RGT Revista Galega de Teatro
“Matarile does scenic poetry. The style, the tools and the artistic intention of the theatre postdramátic have in Matarile his maximum exponent in the theatre made in Galicia. Since Beck & Malina of the Galician theatre of the 21st century, Vallés & Patiño are so parody as grandiose, so unpleasant as pioneers …
... Matarile offers (this is the verb most appropriate for their spectacles) a theater of the persons that simultaneously of intellectual is sensitive. But in this occasion the general subject matter comes with more fluency, without the company stops having this brand that him is so own: the elegance. Vallés (kantorian?) corrects Artaud: the theatre is not a body before looks, but between looks.”
Roi Vidal Ponte. Revista Galega de Teatro
ARTEZBLAI
“… Some of the most prominent offers of the history of the theatre, which already does not differ from the dance and where genres are hybridized, take for instance CAFÉ MÜLLER of Pina Bausch or last Matarile Teatro, THE NECK OF THE GIRAFFE by Ana Vallés.
MATARILE THEATRE is the dean company of what we might name postdramatic theatre realized from Galicia for the world …
Under THE NECK OF THE GIRAFFE parade myriad references: el mito de Cronos, referring to temporary devourations; the allegorical figure of Little Red Riding Hood emitting ferocious sounds; The Grotowski spatial evocation of the scenic disposition ...a hypertextual philosophical and lyric, plastic and choreographic universe, which flees of the arrogance to present itself as meeting, to offer it to us in relation.”
Afonso Becerra. Artezblai
DOSSIER
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